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Abhikkantavaṇṇāti ettha abhikkantasaddo abhirūpe, vaṇṇasaddo pana chavithutikulavaggakāraṇasaṇṭhānapamāṇarūpāyatanādīsu dissati.
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73. The extreme of whose brilliance (abhikkantavanna) : here the word ‘ extreme 5 (abhikkanta) means handsome. But the word vanna is met with as skin (complexion), eulogy, group of clans (i.e. caste), reason, shape, measure, the visible-form base (i.e. the eye’s object), and so on.
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Tattha "suvaṇṇavaṇṇosi bhagavā"ti evamādīsu (ma. ni. 2.399; su. ni. 553) chaviyaṃ.
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Herein, in such passages as ‘ Blessed One, thou art gold-complexioned ( suvannavanna ) ’ (Sn. 548) it is skin (chavi).
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"Kadā saññūḷhā pana te gahapati ime samaṇassa gotamassa vaṇṇā"ti evamādīsu (ma. ni. 2.77) thutiyaṃ.
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In such passages as ‘ When did you concoct that hymn of praise (vanna) to the monk Gotama, householder?’ (M. i. 386) it is eulogy (thuti).
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"Cattārome, bho gotama, vaṇṇā"ti evamādīsu (dī. ni. 3.115) kulavagge.
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In such passages as ‘ There are these four castes (vanna), Master Gotama ’ (D. i. 91) it is a group of clans (kulavagga).
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"Atha kena nu vaṇṇena, gandhathenoti vuccatī"ti evamādīsu (saṃ. ni. 1.234) kāraṇe.
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In such passages as ‘ Then by what token (vanna) can one tell A man to be a thief of scents?’ (S. i. 204) it is a reason (karana).
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"Mahantaṃ hatthirājavaṇṇaṃ abhinimminitvā"ti evamādīsu (saṃ. ni. 1.138) saṇṭhāne.
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In such passages as ‘ Having created the appearance (vanna) of a huge royal elephant ’ (S. i. 104) it is shape (santhana).
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"Tayo pattassa vaṇṇā"ti evamādīsu pamāṇe.
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In such passages as ' The three sizes (vanna) for a bowl ’ (Vin. iii. 243) it is measure (pamana).
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"Vaṇṇo gandho raso ojā"ti evamādīsu rūpāyatane.
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In such passages as ‘ Colour (vanna), odour, flavour, nutritive-essence ’ (Vis. Ch. xi, § 88/p. 364) it is the visible-form base (rupayatana).
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So idha chaviyaṃ daṭṭhabbo.
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Here it should be understood as skin (complexion).
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Tena abhikkantavaṇṇāti abhirūpacchavīti vuttaṃ hoti.
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Consequently ‘ the extreme of whose brilliance ’ means 'the beauty of whose skin (complexion)
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