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english - Nyanamoli thera |
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Tato paraṃ sarīrassa abbhantare hadayaṃ vaṇṇato rattaṃ rattapadumapattapiṭṭhivaṇṇanti vavatthapeti.
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25. (11) Next to that he defines heart, which is in the interior of the physical frame, by colour as ‘ red, the colour of the back of a red-lotus petal ’,
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Saṇṭhānato bāhirapattāni apanetvā adhomukhaṭhapitapadumamakuḷasaṇṭhānaṃ, tañca aggacchinnapunnāgaphalamiva vivaṭekapassaṃ bahi maṭṭhaṃ anto kosātakīphalassa abbhantarasadisaṃ.
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by shape as ‘ the shape of a lotus bud with the outer petals removed and turned upside-down. And it is open on one side 38 like a punndga fruit with its end cut off; it is smooth outside, and inside it is like the inside of a kosataki (loofah-gourd) fruit.
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Paññābahulānaṃ thokaṃ vikasitaṃ, mandapaññānaṃ makuḷitameva.
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In those who have much understanding it is a little expanded; in those with weak understanding it is still only a bud.
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Yaṃ rūpaṃ nissāya manodhātu ca manoviññāṇadhātu ca pavattanti, taṃ apanetvā avasesamaṃsapiṇḍasaṅkhātahadayabbhantare addhapasatamattaṃ lohitaṃ saṇṭhāti, taṃ rāgacaritassa rattaṃ, dosacaritassa kāḷakaṃ, mohacaritassa maṃsadhovanodakasadisaṃ, vitakkacaritassa kulatthayūsavaṇṇaṃ, saddhācaritassa kaṇikārapupphavaṇṇaṃ, paññācaritassa acchaṃ vippasannamanāvilaṃ, niddhotajātimaṇi viya jutimantaṃ khāyati.
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Except for the [material] form [in it] dependent on which the mind-element and the mind-consciousness-element occur, 39 the rest of it consists of what is counted as the piece of flesh inside which half a pasata-measure of blood is kept, which in one of lustful temperament is red, in one of hating temperament is black, in one of deluded temperament is like water that meat has been washed in, in one of speculative- thinking temperament is the colour of lentil soup, in one of faithful temperament is the colour of [yellow] kanikdra flowers, and in one of understanding temperament is limpid, clear, as unturbid as polished crystal, and seems to shine
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Disato uparimāya disāya jātaṃ.
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He defines it by direction as ‘ found in the upper direction ’
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Okāsato sarīrabbhantare dvinnaṃ thanānaṃ majjhe patiṭṭhitanti.
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and by location as ‘ lying in the middle between the two breasts, inside the physical frame'.
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